UNTITLED ( de Maas ), incorporating a video projection, 1996-97.
The two installation views which follow show one component of a complex installation made for two (connected) reception halls.
This component was a photo-construction with continuous video projection: during daylight hours the signal of the latter was dominated by the photo; by dusk this relation shifted (naturally), the video signal becoming more visible from the street into the late evening, a 'private' work transformed into a 'public' event.
UNTITLED ( de Maas ), incorporating a video projection, 1996-97.
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